The journey to self-acceptance and true, full-colour self-expression is rarely straight.
“We will be loved anyway”
All tagged Theatre Review
The journey to self-acceptance and true, full-colour self-expression is rarely straight.
“We will be loved anyway”
It’s loud, pink, and hilariously sassy; Oscar Wilde’s satire meets the Barbie era.
Touching upon every inch of the human experience. Tackling mental and physical afflictions, and the unfair societal structures that often exacerbate them through comedy.
We look in as microaggressions compile and connect to become something huge.
TW: themes of domestic abuse
Bi-Topia tells the story of battling with uncertain sexuality, mental health and the very definition of masculinity.
King turned Queen, Lear is a celebration of theatre and diversity, in a Northern, female voice.
A Force to be Reckoned With celebrates the strides made by pioneering female “policemen”, facing sexism through song and sketch.
In this female-fronted Shakespearean interpretation, we are reminded of the antisemitism and prejudice that still pervades contemporary society.
In a post-house-party haze, Laura and Danny find clarity on life, loneliness, and possibilities.
This stripped-back one-woman show is a masterclass in storytelling. Rose is a story of shared heritage and lived experience.
Bickering their way to a solution, four WI members decide to evolve with the times. In doing so, they look back upon a century of women who came before them.
By leading us to presume the impending rhyme, this story of an eponymous heroine subverts our expectations at each turn.
A Midsummer Night’s Dream proudly flaunts its all-female cast. But cast’s chosen pronouns are one of the least notable things about this production. The casting is flawless, regardless of gender.
As inclusive, “something for everyone” events go, Refract truly lives up to its claims.
With a spotlight at the end of the lockdown tunnel, and the promise of live theatre productions taking place as early as next week, I’ve been ruminating on what it really is that I’ve missed and exactly what I can’t wait to return to.
Homosexuality, heterosexuality, civilisation, tyranny, immortality, trans-humanism and Brexit are all on the bill, and doused in sequins.
In a beautifully dissonant retelling of Emily Brontë’s traumatic love story, we are cast into the North Yorkshire Moors at the heart of the Royal Exchange.
OPIA Collective’s The Girl With Glitter In Her Eye is an ambitious, theatrical piece that explores the narrative – and most importantly, the ownership of the narrative – around trauma. Written and directed by Masha Keninovna, the play tells the story of a friendship complicated by the revelation of trauma. It poses the question: is it possible to tell someone’s story without silencing them along the way?
Billed as ‘a musical fable’ this sparkling production follows the highs and lows of life in show-business. We watch a pushy mother living vicariously through her daughters; an unmarried woman finding fulfilment in the shadow of the spotlight.
Playland is a meeting of two men in Apartheid South Africa. These men stand at the brink of a new decade, searching for redemption in the bright lights of the fun fair.